Twelve wheels.
Two kilns.
No experience needed.

Glaze is a community pottery studio in the old Fernwood Creamery. Six-week classes, one-night dates, and, for the hooked, a shelf of your own and a key to the door.

The Glaze studio floor: two rows of potter's wheels, shelves of bisqueware, and the creamery's tall industrial windows
The old Fernwood Creamery floor, 41 Creamery Lane. Twelve wheels, morning light, no dairy since 1987.
Classes

Six weeks, one night, or somewhere in between.

Every class includes clay, all twelve house glazes, firing, and a teacher who remembers your name. Classes cap at ten, so nobody ever shares a wheel.

Level 1, beginners$340

Wheel 1

Six weeks · Tuesdays, 6:30 to 9pm

Centering, pulling a wall, trimming a foot, and your first glaze. We go slow on purpose. By week three most people have a bowl they would eat cereal from.

You take home
Six to eight fired, glazed pieces
Next sessions
Sep 15 · Oct 27 · Jan 12
Save a wheel
Level 2, after Wheel 1$360

Wheel 2

Six weeks · Thursdays, 6:30 to 9pm

Taller cylinders, lids that actually fit, a matched set of four, and a real introduction to glaze chemistry with Teo. Bring the questions Wheel 1 left you with.

You take home
A lidded jar, a matched set, and everything else you throw
Next sessions
Sep 17 · Nov 5 · Jan 14
Save a wheel
All levels$240

Handbuilding

Four weeks · Saturdays, 10am to 12:30pm

No wheel, no rush. Pinch, coil, and slab, with templates for plates and an afternoon on surface: sgraffito, slip, and texture from whatever is in your pockets.

You take home
A slab plate set, a coil vase, and a pair of pinch pots
Next sessions
Sep 20 · Oct 25 · Dec 6
Save a seat
One night, two people$150per pair

Date on the Wheel

One night · Fridays, 7 to 9pm

Two wheels side by side, one teacher, and a lot of laughing at each other. Bring a bottle if you like; we have glasses. We glaze your pieces in a color you pick before you leave.

You take home
Two pieces each, glazed and fired, ready in three weeks
Next dates
Most Fridays · Book two weeks out
Book a Friday
Open studio membership
$120/mo

A key to the building, a shelf with your name on it, and a wheel whenever you want one.

  • 24/7 access with your own door code
  • One shelf, 24 by 30 inches, for work in progress
  • Clay at cost: $28 a 25 lb bag of Fernwood buff
  • All twelve house glazes, included
  • Firing included, up to one full kiln shelf a month
  • Three-month minimum, then month to month

Membership is capped at forty so there is always a free wheel. We are full right now. The waitlist has eleven names on it and moves about four a month; we email in order, and you get a week to say yes.

Join the waitlist
Two hands centering wet clay on a spinning wheel, slip running over the knuckles
Firing services

Bring us bone-dry work. We bring the heat.

Two electric kilns: a 7 cubic foot front-loader and a 10 cubic foot top-loader. We bisque to cone 04 and glaze to cone 6, oxidation only, and price by the shelf so you pay for the space you use and nothing else.

Firing prices by shelf and cone
SpaceFiringPriceTurnaround
Half shelfBisque, cone 04$184 to 5 days
Full shelfBisque, cone 04$324 to 5 days
Half shelfGlaze, cone 6$246 to 7 days
Full shelfGlaze, cone 6$426 to 7 days
Whole front-loaderBisque or glaze, cone 04 to 6$220By arrangement
Test tiles, up to tenAny firing$6Next load

A shelf is 12 by 24 inches with 9 inches of height; anything taller takes two shelf slots. Work must be bone dry and made from a cone 6 body you can name. Drop off at the front desk during staffed hours and initial the foot of every piece. Members get their first full shelf each month included.

The open front-loading kiln, shelves of freshly fired celadon and oatmeal bowls still warm
The front-loader, unloaded on a Thursday. Cone 6, still warm.
The teaching artists

Eight potters who still get clay under their nails.

Everyone who teaches here also makes here. Their work is on the shop shelf, their test tiles are on the wall, and at least one of them is usually at a wheel when you walk in.

Ines Marlow, founder of Glaze, in a clay-dusted apron holding a wide celadon bowl
Ines MarlowFounder. Teaches Wheel 1 and mixes the celadons. Fired her first kiln in a barn in 2009, signed the lease on the creamery in 2021, and still throws every morning before the doors open.
"Teo can look at a bucket of glaze and tell you what is wrong with it. None of us know how."

Teo Abara runs the glaze lab and teaches Wheel 2. He mixes all twelve house glazes from scratch, keeps the test-tile wall in order, and teaches the chemistry plainly enough that you stop guessing and start choosing.

  • Ines MarlowWheel 1, celadons, founder
  • Teo AbaraWheel 2, glaze lab
  • Priya VenkataramanHandbuilding, slab plates
  • Marcus OyelaranWheel 2, lidded forms
  • Hana KobayashiPorcelain, teaware
  • Ruth FeldmanLarge coil vessels
  • Dario SestoKiln tech, firing services
  • Lena AchterbergSurface, sgraffito, Date night
The shop

Finished work, by the people who teach here.

One rotating shelf by the front desk: pieces by the teaching artists and a few members. All stoneware or porcelain, fired to cone 6, food safe, dishwasher fine. Buy at the desk during staffed hours, or email and we will hold a piece for a week.

A table of finished stoneware plates, cups, and bowls in oatmeal, celadon, and tenmoku glazes
This week's shelf, laid out on the wedging table.
A shelf of celadon-glazed mugs seen from above
Ines's celadon mugs, restocked on the first of the month.
  • Celadon mug

    $38

    Ines Marlow. 12 oz, pulled handle, speckled buff under a pooled celadon that breaks pale at the rim.

  • Tenmoku pour-over

    $64

    Teo Abara. Fits a size 2 paper filter, sits on any mug. Black glaze that goes rust where it thins.

  • Oatmeal dinner plates, pair

    $88

    Priya Venkataraman. 10.5 inch slab plates with a soft rim, oatmeal glaze, unglazed feet.

  • Lidded jar, ash glaze

    $140

    Marcus Oyelaran. 8 inches tall, a lid that seats with a click, grey-green ash glaze running to the foot.

  • Porcelain teacups, pair

    $72

    Hana Kobayashi. 5 oz, thin enough to see light through, clear glaze over a carved line at the lip.

  • Shino serving bowl

    $165

    Ruth Feldman. 11 inches across, coil built, a shino that blushes orange where the flame found it.

Good to know

The questions we answer every Tuesday night.

What to wear
Clothes you do not mind. Clay washes out of cotton and never out of suede. Short nails help centering more than anything we can teach you. Aprons and towels are on the hooks by the sink; take one, leave it in the bin.
The clay
We throw a mid-fire speckled stoneware we call Fernwood buff: cone 6, forgiving on the wheel, warm under celadon. Wheel 2 students and members can also buy porcelain. Outside clay is welcome in open studio if it is cone 6 and you can tell us what it is.
Glaze safety
All twelve house glazes are lead free, mixed here from published recipes, and food safe when fired to cone 6. Wear a mask when you mix dry materials or sand bisque, never eat at the glaze table, and wash your hands before you leave. We mean it about the mask.
The kiln schedule
Bisque loads go in Monday and Thursday, glaze loads Wednesday and Saturday. The whiteboard outside the kiln room says what is loading next. Anything on the "ready" shelf by 9am makes that day's load; anything after waits for the next one.
Pieces are ready in three weeks.
Count three weeks from the end of your class, or from the day you drop off, then look for your initials on the pickup shelves by the front door. We hold finished work for sixty days. After that it moves to the free shelf, where it is usually gone by lunchtime, so do come and get it.

"The wheel does not care what kind of week you had. That is the whole point of it."

Ines Marlow, founder
Studio hours
  • Members, open studio24 hours, every day
  • Staffed, Monday to Friday10am to 9pm
  • Saturday9am to 6pm
  • Sunday11am to 5pm
  • Try a wheel, walk inSaturdays 2 to 4pm, $25

Classes run weekday evenings and Saturday mornings, so open studio is quietest on weekday afternoons. We close the last week of December to put new elements in both kilns.

Come with clean hands. Leave without.

Address

Glaze
41 Creamery Lane
Fernwood
Open in Maps

The brick building with the milk-bottle mural. The door is under the loading dock awning; ring the bell if it is locked.

Parking

Twenty free spaces in the gravel lot behind the building, never full on a weeknight. A bike rack by the door. The 14 bus stops at Creamery and Dale, two minutes on foot.

Loading a kiln's worth of work? Pull up to the dock and we will bring a cart out.

Get in touch

Call (555) 555-0141
or write to hello@glaze.example

Phone during staffed hours only. Email gets a reply by the next morning, kiln permitting.

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